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Comments and journal pages.

20100913

Stranger in a Strange Land



Title: The Original Design



I don't remember the title of this one.


I don't remember the title of this one. It was something about reality and symbolism and religion.





This is a page from
Friday, September 13, 2003

I got the urge to do some painting. Here I am a stranger in a stranger land. Washington.

In this unusual area, everything one needs is in another town. And there is no town in town. Pasco and Kennewick and Richland, Tri Cities as they are called, are all just clusters of homes and shopping centers. It is Suburbia with out an Urb.

The Tri Cities phone book lists three places that carry art supplies. Since I am in Richland, naturally they are in Kennewick.

The first and second listing turned out to be in business no longer. Finally, in a shopping area I found a small office supply store that carried art supplies. Earlier I had purchased some raw canvas in a fabric shop so what I needed was some stretch strips to mount the fabric for priming and painting. The sizes I needed fell in the range of 28 inch to 34 inch. Any combination within that range would be fine. The painting I had in mind could be square or nearly square.

The shop had on their shelf, one 30-inch, a 29, a 33 and a 28. One of each. In case this does not strike you oddly, the explanation is that one needs a pair of each size to make a complete rectangle. I asked the clerk why they only had one of each of these sizes and she replied that they have a regular customer that is a kook. That seemed to explain it. For her.

So I went to another shopping center. This one has a Michaels Craft Shop that is not listed in the phone book. Michaels is a large chain. I figured they would have the stuff.

On their shelf the only sizes above 24 inch that the store stocked were 31 inch, 27 inch, 34 inch and 32 inch. They had one of each…. The clerk was mystified as to why this was important.

I asked her the location of the nearest lumberyard. Naturally she gave me direction to go back to one in Richland. Everything you want is in another city. I went out the door, drove to the other end of the same park lot to a Home Depot. I guess technically, that isn’t a “lumberyard.” No reason why she would consider it that.

I bought a couple pieces of two by two and left.

Later while I was cutting and forming my own stretch strips and then mounting the raw canvas, I realized what a lot of work artwork really is. The work in this painting not only includes building my own media but also a lot of self-restraint. Stifling guffaws and rolling eyes and forced smiles should be included in the total.









The Profile(more than you really wanted to know)is here.


Lost GalleryThe rescue mission for battered and abused orphan photographs.

Betty Boop

A bunch at Abbot Lake
For more about Double Exposures see this page in Lost Gallery.

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20100818

Yesterday in 1997 - A visit with Patrick Dougherty




Deva Vu too...

cocoons





Sun Aug 17 1997

I talked at length with Patrick Dougherty today. He is a very nice fellow. I mentioned again that I wanted him to autograph a couple of the computer prints and he was really enthusiastic. I explained how I wanted to give one to a friend that was really impressed with the work that was at the Fest.

Then he told me that the Art Gallery has decided not to give him the prints I made for him and asked if I could make an extra one for him. I told him that I would be glad to. I had already gotten a 4X6 print of each of the shots and was prepared to do a really detailed makeover of them removing the people. The other shots I worked from 3.5X5. Working from a larger original I will be able to do a better job. I hope to do those tonight before the mother’s 2AM potty run.

I plan to give him a 4x6 print of the originals too. He said he knows a place in Ohio that can digitize them and make the slides that he wants. If he needs a larger size I can get him 8X10 too. He mentioned the color copy service like I found in Wichita too. He was as amazed as I was at the quality.

I have been running over there every day and shooting a set of pics from the same position each day. The sculpture is really taking shape. It is quite beautiful and twice as complicated as the other one....

The sculpture is really hard work. He works about 10 hours a day, every day, hauling branch by branch and shoving it into a woven pattern. Up on the scaffolding and down. Bending and twisting each limb and sapling to look natural but cultured into a given shape... It really looks hard. I watched him for about 10 minutes today.





The Profile(more than you really wanted to know)is here.


Lost GalleryThe rescue mission for battered and abused orphan photographs.

Betty Boop

A bunch at Abbot Lake
For more about Double Exposures see this page in Lost Gallery.

Labels: , , , ,